Electronic instruments from Korg can be found across a wide range of keyboard instruments and accessories. The Japanese manufacturer is one of the defining names of the analogue synthesizer era and has continued to develop innovative instruments for decades, from compact synthesizers to powerful music workstations for studio, stage and entertainment applications.
Many analogue Korg synthesizers have achieved cult status. At the same time, the company has consistently transferred classic circuit concepts and distinctive sound ideas into modern instruments. In this way, Korg combines the tradition of analogue sound generation with contemporary operation, digital technology and flexible connectivity. Read more…
Korg has been developing synthesizers since 1973. Several of its early analogue instruments had a significant influence on the sound of their era. These include models from the PS-3000 Series, which are now regarded as rare and highly sought-after vintage synthesizers.
The story began with the MiniKorg 700, Korg’s first monophonic synthesizer. It appeared on numerous synth-pop and electronic music productions, including recordings by The Human League and artists such as Kitaro and Vangelis. Even greater recognition came with the Korg MS-20, introduced in the late 1970s. Its versatile sonic character can be heard on countless albums spanning synth-pop, new wave and experimental electronic music.
Other important instruments from this period include the six-voice Korg Polysix and the four-voice Korg Mono/Poly. Both models represent the distinctive analogue sound character with which Korg helped shape the development of polyphonic synthesizers.
In the 2000s, Korg introduced the microKORG, a compact analogue modelling synthesizer that became one of the most successful instruments in its class thanks to its straightforward operation, distinctive design and attractive price-to-performance ratio.
Analogue and virtual-analogue sound generation remain key features of the brand. From the compact monotron and the Volca Series to the polyphonic Minilogue, many current instruments draw on design ideas and circuit concepts from the 1970s. Some also incorporate elements inspired by the technology of the MS-20.
With the MS-20 mini and the reissued ARP Odyssey, Korg brought two well-known analogue synthesizers back in compact form. These reduced-size instruments remain closely related to their historic originals in both sound and concept, while adding modern connections such as MIDI, USB and CV/Gate.
This makes it possible to integrate the characteristic sounds of the originals into current studio and live setups without giving up modern control and connectivity options.
Korg also set important milestones in the development of digital synthesizers. Introduced in 1988, the Korg M1 is widely regarded as one of the first successful music workstations, combining sound generation, effects, sequencing and performance functions in a single instrument.
This concept continues today across different performance and price classes. Modern Korg workstations combine sampling, analogue modelling, wave sequencing, FM synthesis and physical modelling with extensive sequencing and performance functions. This makes them suitable for both music production and professional live use.
Korg develops electronic instruments and music tools for a wide range of applications. DJs and live performers use hands-on effects units such as the Kaoss Pad and Kaossilator. Compact instruments such as the monotron support mobile sound experimentation, while guitarists and bassists can choose from the brand’s effects and multi-effects units.
For entertainers and solo performers, Korg offers powerful arranger keyboards with extensive accompaniment functions, sounds and styles. The company therefore covers a broad spectrum, from compact sound tools to comprehensive production and performance systems.
The company’s history began in 1962, when Tsutomu Kato and Tadashi Osanai founded Keio Electronic Laboratories in Japan. Osanai, himself an accordion player, was looking for a more musically flexible alternative to the rhythm machines available at the time.
With the Donca-Matic, the company developed an early electromechanical rhythm machine. A few years later, engineer Fumio Mieda asked Tsutomu Kato to build an electronic keyboard. Their collaboration resulted in a programmable keyboard instrument. The later brand name Korg combined the name Kato with the word organ.
Since then, Korg has stood for distinctive electronic instruments, innovative operating concepts and the combination of historic synthesizer technology with modern production and performance capabilities.