
The Korg microAUDIO 722 is an audio interface for musicians who not only want to record but also want to actively shape their sound. It combines modern recording with genuine analogue KORG DNA and is aimed at producers, synth enthusiasts and sound designers who want to shape their sound even before entering the DAW. Despite its compact design, there’s far more to it than a classic 2-in 2-out interface.

In terms of sound quality, the microAUDIO 722 performs at a professional level with up to 192 kHz and 24-bit resolution. The converters operate cleanly, with an open sound and sufficient headroom, ensuring that even dynamic signals remain natural and controlled. Two combo inputs (XLR / 6.35 mm jack) accept microphones, line signals or high-impedance instruments, whilst the global, switchable 48-volt phantom power reliably supplies condenser microphones. Using the editor software, you can also activate a noise gate and, optionally, a compressor or a limiter to control the signal effectively right from the recording stage. This processing can be applied not only to the inputs but also to the computer audio.
The absolute highlight of the microAUDIO 722 is the integrated analogue filter from the legendary miniKORG 700S. This filter operates either as a low-pass or high-pass filter and delivers precisely the organic character for which classic KORG synthesisers are famous. The filter can be dynamically modulated via a built-in LFO or an envelope follower, and can even be synchronised via MIDI. What’s particularly exciting is that not only external signals but also the computer’s audio signal can be routed through the analogue filter. This makes the microAUDIO 722 a direct link between the DAW and genuine analogue processing, without the need for complicated routing.

Thanks to the loopback function, computer signals can be easily recorded or processed further, for example, for sampling, streaming or creative resampling set-ups with an analogue filter. Zero-latency direct monitoring ensures that the input signal reaches the headphones without delay during playback. The 6.35 mm jack headphone output can be routed independently of the main outputs, making it suitable for click tracks or cue signals. The Stereo Link function makes it much easier to control the levels of stereo sources such as synthesisers or drum machines.
Another difference compared to the smaller model is the integrated MIDI In and Out connectivity via mini-jack. This allows the microAUDIO 722 to be easily integrated into hardware setups and synchronised with external devices. Power is supplied via USB-C, either via bus power or an external power supply. This means the unit can even be used as a stand-alone analogue filter, without the need for a computer.
The package is rounded off by a comprehensive software bundle. Ableton Live Lite offers a quick introduction to the world of DAWs, iZotope Ozone Elements helps with the final sound, and KORG Filter Ark provides a collection of classic and modern KORG filters as both a plug-in and stand-alone software.
Korg microAUDIO 722