With the BM-17
The BM-17 is a fully analog effect like no other, because it is basically an oscillator that wants to attach itself to any input signal. The oscillator itself has a wide frequency range and is equipped with the rare feature of a continuously fadeable waveform. The waveform can be adjusted from triangle to sawtooth and square to needle pulse. If Hardsync is activated, the oscillator attempts to synchronize itself to the frequency of the input signal. The ENV & FM AMOUNT controls bring a certain amount of control to the chaos. FM AMOUNT determines how strongly the input signal affects the frequency of the oscillator. The envelope follower calculates a control voltage from the level differences of the input signal and uses it to modulate the oscillator frequency.
Despite the small number of controls, the effect pedal takes a little getting used to. The results vary between wild squeals, rhythmized drones, electronic percussions, classic sync sounds and popping basslines between the peaks of a
The connections are the same as on the original: there are five CV/expression inputs for the Frequency, Waveform, Envelope Amount, FM Amount and Mix parameters. This allows the parameters to be controlled via an expression pedal or any control voltages from the modular system. The audio inputs and outputs are mono. The envelope follower is output at the ENV OUT and can therefore be used as an additional modulation source for other instruments with a control voltage input. The same applies to the oscillator, which is output at OSC OUT and can be used elsewhere in the

Behringer BM-17 Frequency Box