Free shipping
within Germany for orders over 20,- €
Low price guarantee
Money Back
30 Day Return Policy
You have placed the following items into your shopping cart
Free shipping
within Germany for orders over 20,- €
Low price guarantee
Money Back
30 Day Return Policy
There are countless headphones out there, but not all are suitable for studio work. Generally, open-back headphones are the first choice for monitoring and mixing, while closed-back headphones excel in recording sessions and DJ use thanks to their isolation. Open designs radiate sound outward, which can bleed into microphones during recording. Closed models effectively block external noise – a big advantage for musicians during tracking and for DJs while cueing.
For accurate monitoring, a clear upper-midrange response is crucial so that vocals and instruments remain precisely positioned in the mix. In DJ use, a powerful low-frequency range often takes priority.
Studio headphones for mixing should sound as neutral as possible – without artificial boosts or dips – ensuring that mix decisions are reliable.
Hi-Fi headphones are tuned for enjoyable listening rather than accuracy. Their frequency response is often not linear, with typical boosts in the bass and treble regions (“smiley curve”). The very top end is often slightly rolled off to make noise or compression artifacts in lossy formats less noticeable.
As with many audio components, there are dedicated amplifiers for headphones. In addition to the built-in outputs of stereos, computers, or audio interfaces, external headphone amplifiers often deliver audible quality improvements – especially in higher-end models. They offer a wide range of connection options (e.g. turntable preamp, audio interface, CD player) and often feature multiple headphone outputs with individual level control. In rehearsal rooms or studios, they provide musicians with their own personal monitor mix from the mixing console.
Studio headphones are designed for recording, mixing, and mastering. Their goal is a neutral, detailed, and uncolored reproduction rather than a “beautified” hi-fi sound. Many models are built to be durable and easy to maintain (spare parts available).
Tip: Home studios: 32–80 Ohms. For powerful outputs or amps: high-impedance models.
The output of an audio interface is often sufficient. An additional amp makes sense if you:
This ensures optimal performance – loud, dynamic, and accurate.
For critical recording, mixing, and mastering, wired models are the first choice: no latency, no codec artifacts, stable connection. Wireless headphones can work for practice or tracking, but due to latency and compression, they are not ideal for precise evaluation.
This depends on the sensitivity (e.g. dB SPL/mW or dB/V), impedance (Ohms), and output power of your interface or amp. Highly sensitive headphones require less power for the same volume; high-impedance models need stronger amps. Hearing safety: avoid listening above roughly 85 dB SPL for extended periods.
