LEDs for level, envelope detection & bypass on/off
Mono audio in & out
CV inputs for cutoff, mix, resonance & amount
CV output of the internal envelope follower
Complete MIDI implementation
MIDI In
USB MIDI
Behringer BM-11M LOW PASS FILTER is here!
Bring the funk! Auto-wah and beautiful distortion sounds with the BM-11M Low Pass Filter
With the BM-11M Low Pass Filter, Behringer presents a clone of the Moog MF-101 Lowpass Filter from the popular MoogerFooger series. Behringer has succeeded in faithfully reproducing the special sound of the classic in all its details. Basically, this is a decoupling of the famous lowpass filter from the Minimoog, whereby the slope can be switched between 12dB (2 poles) and 24dB (4 poles). The Cutoff goes down really low and only lets the very lowest frequencies through if necessary. The resonance is felt to reach into the stratosphere and tends to color the sound strongly at higher values, which is also desirable in combination with the overdrivable audio input. The envelope follower determines a control voltage from the level differences of the input signal in two speed stages and uses it to modulate the cutoff parameter. This instantly creates the iconic auto-wah sounds and the filter sweeps always fit in rhythmically. The input stage is designed for line and guitar levels and can be overdriven, which in most cases sounds very musical and has a harmonic character.
Some people ask themselves at this point: Why should I hook up a filter box like this to my synths? Because of the funk! The audio input simply distorts more beautifully(!) than most gain stages of conventional mixers. The filter itself has a very familiar character and the envelope follower automatically adjusts the sound changes. Have you ever heard Fatboy Slim or Big Beat from the early 2000s? Yes, that's exactly why. :) For guitarists, the BM-11M is a functional and, above all, very good-sounding auto-wah that you can use for the rest of the session once set up.
Control voltages for even more fun
The connections are the same as on the original: there are four CV/expression inputs for the Cutoff, Mix, Resonance and Amount parameters. This allows the parameters to be controlled via an expression pedal or any control voltages from the modular system. The audio inputs and outputs are mono. The envelope follower isoutput at the ENV OUT and can therefore be used as an additional modulation source for other instruments with a control voltage input. Via the MIDI input, all parameters can be controlled via Control Change commands from a Master sequencer or from the DAW. The USB port is primarily intended for configuring the pedal with the SynthTribe-App.