500 series modules

Compressor and limiter with dynamic filter. Attack, release, hard knee, sidechain filter, ratio 1:1 - 1:∞

The RODEC M 102 Stereo Equalizer is a faithful reproduction of the classic MX-18 EQ from RODEC.

The RODEC 500 to 100 Series adapter module enables the seamless integration of up to four Rodec 100 modules.

Professional microphone preamplifier at an affordable price. Up to 80dB clean gain, high-pass & low-pass filter.

4-way fully parametric equalizer in 500 format based on the MIDAS Heritage 3000 consoles.

The MX-180 was the flagship model among RODEC's mixing consoles for over three decades.

The RODEC M 104 is a stereo filter module in vintage synth style, specially developed for the Rodec MX Modular console.

Preamp with Neve 1073 character in 500 format, input & output transformers, optional Carnhill upgrade, +48V phanom power supply

Working with the Transient Designer is very simple: Attacks can be amplified or attenuated and sustain may be prolonged or shortened. However, the possibilities for studio and live application are ...

The Harrison MR3eq delivers the legendary MR3 console sound as a 500-series EQ with 3 bands, bypass and a characterful high-pass filter.

Analog VCA compressor in 500 format with flexible sound from transparent leveling to powerful character compression.

The RODEC M 108 Discrete Line Pre is a high-quality stereo line preamplifier with two vintage opamps in the input stage

Super Analog Pre-Amp, TRS Line&Hi-Z input, 5 LED level meter, +48V, phase and HPF switch

Mono vintage compressor with diode bridge circuit in API 500 format.

The RODEC Ministyler marks the eagerly awaited comeback of the iconic collaboration between Rodec and Sherman.

500 module for processing the scattering stage, with 3 intuitive controllers, requires 2 module slots.

Modular noise gate for the 500 Series rack with flexible key filters and external trigger control.

The Harrison 32Cpre+ is a 500 Series mic preamp featuring a Jensen transformer, 20 to 70 dB of gain, Harrison filters and a front-panel combo input for microphones and instruments.

Stereo equalizer 500 series, 4-bands, 2 fully parametric mids, switchable low-cut

Modern compressor in API 500 format. Auto & Anti Log Release, Gain Reduction Limiter & other innovative features.

Analog PWM compressor with six compression modes, variable ballistics and harmonic saturation control.