Your Feedback

Laney Digbeth DB-PRE

(6)

Item: BAS0011725-000

Topseller!

Compare list
Recommend

Information on the disposal of old devices

Bass Preamp Pedal, FET & TUBE Drive, 4-Band EQ, Tilt-EQ, FX loop, XLR DI-Out, Aux-In, Headphone jack All product info

We are happy to help you!

Export
export@musicstore.com
+49 (0)221 / 88 84 - 1610
+49 (0)221 / 88 84 - 2500

INTERACTIVE
CATALOGUE
MORE THAN 3.000
PRODUCT VIDEOS
EASY
RETURN
3 YEARS
WARRANTY
55.000 PRODUCTS
READY TO SHIP

Product information - LANEY Digbeth DB-PRE

The Laney Digbeth DB-PRE at a glance:

Bass Preamp in pedal format from the Laney Digbeth series.
Packs the sound of the Digbeth bass amps into a handy effects pedal
FET and TUBE Drive channels
4-band Equalizer with three selectable frequency ranges for the Lo-Mid control
Tilt-EQ to emphasize the high or low frequency ranges
Serial effects loop
Balanced XLR DI-Out with source switch and ground lift
Separate inputs for active and passive electric basses
Aux-in
Headphone jack
Link Out
Choice of bypass or mute
Sturdy metal cabinet
Operation with optionally available power supply

The Laney Digbeth DB-PRE in the video:

Bass Preamp with FET and TUBE Drive and flexible tone control

With the Laney Digbeth DB-PRE, the amp makers from the British Black Country pack the sound of the full-blown Digbeth Bass amps into a handy preamp pedal that makes creating a lightweight Bass rig for on-the-go a breeze.

FET and TUBE Drive

Just like the full-blown Digbeth Bass amps, the DB-PRE also relies on the dual-channel sound generation with FET and TUBE Drive, which can be used to create extremely tidy Bass sounds as well as juicy overdrive with vintage character. You can use both channels alternately or mix them to create modern Bass sounds with powerful overdrive and defined low end.

Flexible sound design

Bass For flexible sound shaping, Laney's Digbeth Preamp offers two equalizers. The classic 4-band tone control allows you to precisely adjust the timbre, with the low-mid control offering three selectable center frequencies in the character-shaping frequency ranges. The Tilt EQ, on the other hand, shapes the overall sound by emphasizing either the low or high frequencies of the signal.

Practical connection diversity

Last but not least, the Laney Digbeth DB-Pre convinces with practical connections that make using the pedal on stage and in the recording studio particularly convenient. Separate inputs provide the appropriate input sensitivity for active and passive electric basses, while the effects loop can be used to integrate additional effects devices into the signal chain. The balanced XLR DI-Out with selectable tap point also allows the bass signal to be picked up directly for mixing consoles or audio interfaces. Last but not least, there is an aux-in for feeding backing tracks and a headphone jack for playing the bass guitar silently.