Le nouveau Digitech RP355 offre toutes les spécifications du RP255, mais possède en plus des sorties indépendantes XLR séparées pour une liaison symétrique vers vos enceintes ou moniteurs ainsi qu’une nouvelle version du logiciel de production musicale LE4.
Caractéristiques du Digitech RP355: Looper avec jusqu’à 20 secondes de temps d’enregistrement 126 effets et modélisation d’amplis/baffles Effet reverb Lexicon 70 mémoires usines/ 70 mémoires utilisateur Accordeur chromatique Pédale d’expression Jusqu’à 5 secondes de temps de delay 60 boucles de batterie Entraîneur Learn-A-Lick Sorties gauche et droite indépendantes en format jack et XLR avec commutateur Ampli/mixeur Prise casque stéréo format mini-jack Prise d’entrée auxiliaire stéréo format mini-jack Echantillonnage de 24 bits à 44,1 kHz Logiciel de production musicale LE4 2x 2 USB Audio Streaming Edition USB avec DigiTech X-Edit Construction robuste en métal moulé Adaptateur inclus
!!! Garantie Music Store 3 ans !!!
!!! Garantie "Satisfait ou remboursé" 30 jours !!!
Ive used almost every device in the Digitech RP series over the last 10 years. First things first: this device models amplifiers. For best results, dont plug the output from this box into a guitar amp, which is like running the output from one guitar amp into another use a keyboard amp, a powered PA speaker, or a PA. You want an amp that will take the RPs output and make it louder, period, NOT an amp that will add its own color on top of whatever the RP is doing. The advantage of this approach is that you can take the RP anywhere, plug it into a PA, and get EXACTLY the sound you expect. For players who travel on airplanes, this is as close to perfection as you will find.
In general, the RP355 sounds terrific. Its modulation FX (especially the pitch shifter and whammy), delays, and reverbs are best in class at this price point. I wish it were possible to use more than one modulation effect at a time (for example, pitch shifter chorus or rotary speaker), and I also wish the FX could be re-ordered in the chain (as can be done on the Zoom G3, for example), but thats about all I miss. Whats here produces powerful, complex tones that stand out in a mix and onstage. I havent carried an amp or a pedal board to a gig in years I just bring the RP, plug it into the PA, and get to work. And let me tell you, the sound techs on my gigs just LOVE this box. It makes their job very, very easy.
The ideal way to use this device in performance is to set up the tones you plan to use, song by song, side-by-side in the user presets section. It takes time to complete this setup, but when youre done you have a setup that can make enormous changes in your sound instantly with one footpress--something that a chain of single-purpose pedals could never do. If you use a looper in your performances, setting up your tones in this way makes it easy to build huge loops with complementary sounds.
Theres a lot of great gear out there, and I would never claim that this device is the only way to get a great sound onstage and in studio. But the RP355 offers terrific value for money, sounds great, and works reliably. The delays, reverbs, and pitch FX alone would cost 3-4x the price of this device if purchased separately. Most musicians will find that the RP355 is a very economical tool that instantly adds a lot of power to any rig.