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Audio Recorder

Roland R-07 black
Mobile Recorder with Wireless Monitoring
£ 208.00
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Tascam DP-24 SD
Digital Portastudio featuring 24-tracks
£ 439.00
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Tascam Model 24
24-Track Mixer, Recorder & Interface
£ 999.00
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Useful info about audio recorders

A compact recorder is invaluable when things need to move fast: a demo in the rehearsal room, a live recording, an interview or a podcast. Modern audio recorders (also known as digital audio recorders) can deliver impressively professional results – often with no extra gear required.

Depending on your workflow, audio recorders mainly differ in channel count, connections and ease of use. To help you find the right recording device sooner, we group recorders into three categories:

  1. Stereo recorders – ideal for digitising and stereo recordings
  2. Multitrack recorders – multiple tracks instead of a stereo mix
  3. Portable recorders (handheld) – pocket-sized for music, field recording & podcasts
 

1. Stereo recorders

Stereo recorders capture a stereo signal – perfect for live recordings, transfers and archiving, as well as MP3 or WAV recording. Many current models include analogue and digital inputs and save to USB stick, SD card or internal storage (depending on the unit). That’s especially handy if you want to digitise existing material (e.g. cassette/vinyl) with a digital audio recorder. In short: a straightforward recording device for quick, clean results.

Stereo recorders in practice

Many stereo recorders work in a wide range of setups – from line-level signals to digital sources. Check you’ve got the inputs/outputs you need, the file format (MP3/WAV) and the maximum supported settings (kHz/bit depth).

Tascam SS-R250N – network-enabled solid-state audio recorder Tascam’s flagship stereo recorder, the SS-R250N, can record to USB, memory cards or CD and transfer files directly over a network.
 

Buying tips: what to look for

Key points are connection compatibility (analogue or digital) and your target specs: sample rate (kHz), bit depth and file format (e.g. MP3/WAV). Some recorders also include dynamics tools such as a limiter or compressor to catch peaks cleanly.

Sample rate and bit depth
Sample rate indicates how often the signal is captured per second: CD = 44.1 kHz; video often uses 48 kHz. Bit depth (e.g. 16/24/32-bit) affects dynamic resolution – 24-bit is the standard for recording today.

 

2. Multitrack recorders

At first glance, multitrack recorders can feel close to a digital mixer – the lines can be blurry these days. The key point: instead of recording a stereo mix, you capture multiple tracks at the same time. That’s ideal for music recording, band rehearsals and live setups where you want more control when mixing later. Many musicians also enjoy the “mixer feel” with real faders and knobs.

Even if routing and effects can be leaner than on full mixers, the big advantage remains: you can import the tracks into a DAW for further editing – a real win if you’re after a standalone music recorder workflow.

Zoom R20 multitrack recorder with 8 high-quality microphone inputs The Zoom R20 records 8 tracks at once and offers effects plus editing features similar to a DAW.

Multitrack: flexible for band & songwriting

Historically, cassette multitrackers were a gateway into recording your own demos. Today you’ll find similar ideas in modern workflows: metronome, rhythm patterns, editing features and – depending on the unit – battery operation. That’s exactly why a digital recording device for music is so useful when inspiration strikes away from the studio.

If you’re searching for “audio recorder”, “digital recorder” or “digital audio recorder”: multitrack is usually the right class as soon as you need more than two channels at once.

 

DAW (Digital Audio Workstation)
A DAW is software for recording, editing and mixing audio on a computer (e.g. Logic, Cubase, Studio One, Ableton, Pro Tools). Many recorders integrate smoothly into a DAW workflow via USB or SD import.

 

3. Portable recorders (handheld)

Portable recorders are the most compact option – and that’s exactly why they’re so popular. As a handheld audio recorder, they slip into a bag, yet often deliver studio-ready sound. Many come with built-in X/Y condenser mics: great for gig recordings, rehearsal sessions, ambience for field recording or quick podcast ideas. If you need a recorder for interviews, this is the right place to start.

Record anywhere – without compromise

Depending on the model, you’ll get extra inputs for external microphones, storage media (often microSD) and tougher variants such as dedicated field recorders. That turns a portable unit into a versatile audio recorder for music, podcasts and video sound.

Tascam DR-40X field recorder – portable 4-track audio recorder Record high-quality audio anywhere: portable recorders are a flexible solution for music recording, field recording and podcasts.
 

And yes: a handheld recorder can also double as a premium voice recorder when needed. For many, it’s the “always-with-you” recording device for capturing a take, a quote or a song idea in seconds.

FAQ – Audio recorders

Which audio recorder is best for rehearsal demos?

For quick demos, a good handheld recorder is often enough. If you want to record many sources at once (e.g. a full band with individual tracks), a multitrack recorder is the better choice.

MP3 or WAV – which is better?

WAV is uncompressed and ideal for editing and mixing. MP3 saves storage space and is practical for quick recordings or sharing. Many devices support both.

Which sample rate should I choose?

44.1 or 48 kHz are standard and work well for most applications. Higher rates (e.g. 96 kHz) increase file size and workload, but don’t automatically deliver better results.

Which bit depth makes sense – 16, 24 or 32-bit?

For recording, 24-bit is today’s standard because it gives you more headroom and makes it easier to set levels cleanly. 16-bit is fine for playback and archiving, while 32-bit float can be useful on some field recorders when levels vary widely.

Do I need a special recorder for podcasts?

A portable recorder with good preamps, clean level handling and suitable mic inputs is ideal. Useful features include a limiter, headphone output and straightforward file management.

How many inputs do I need for band or live recordings?

For a stereo mix, 2 channels are enough. For rehearsals with more control, 4–8 inputs are a sensible range. For close-miked drums you’ll quickly need more – in that case a multitrack recorder or an expanded setup is recommended.

Can I connect external microphones (XLR/plug-in power)?

Many recorders offer XLR/TRS combo inputs for mic/line, and handhelds often include 3.5 mm with plug-in power. Look for 48 V phantom power if you want to use condenser microphones.

What is a limiter, and why is it useful on location?

A limiter catches sudden peaks before clipping occurs. It’s especially helpful for field recording, live recording and interviews when you can’t constantly adjust levels.

Can I edit recordings later on a computer?

Yes. Recorders usually save to SD/USB, and then you import the files into a DAW – for multitrack devices, that’s the standard workflow.

Which memory card is the right one (SD/microSD)?

Use a reliable, fast SD/microSD card (depending on the recorder) and format it in the device. For long WAV/24-bit recordings, choose enough capacity – and keep a spare card as a backup.

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