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Ready to ship
55,000 Products
UK Team in London
Mega Store in Cologne
Money Back
30 Day Return Policy
“It shouldn’t sound pretty — it should sound honest.”
That’s the core role of a studio monitor: realistic assessment for mixing and mastering, not cosy living-room listening. Only a neutral playback lets you make decisions that translate across many systems.
Good studio monitors aim for the most faithful, uncoloured reproduction possible. Hi-fi loudspeakers are voiced for enjoyment (a “beautified” frequency response). Mixing on them is like looking through frosted glass: you see the big picture, but details remain hidden. With studio monitors, linearity matters — together with room acoustics and listening position.
Linear frequency response: ideally no boosts or dips across the audible range. Nothing is perfectly linear — but high-quality monitors get very close.
Because perfect linearity is impossible, every monitor pair has a character — subtler than hi-fi, but there. Take time to learn your monitoring in your room. Compare references (car, headphones, hi-fi, other monitors). If a model feels fatiguing on first listen, keep looking. Beyond sound, other factors matter too:
Home recording or high-end mastering? The price range runs into five figures. Still, mid-class nearfields can deliver superb results. Pros often work with several pairs (including “lo-fi” references) so mixes translate. For starters, allow a few hundred euros for a stereo pair.
Size the system to room and genre. Too small = strained; too large = idling, which can sound worse. Measure room size and listening distance; nearfields typically sit 1–2 m away.
For 5.1/surround or bigger formats you’ll need more than two monitors. Also decide whether a subwoofer is worthwhile (see below).
The basis of any monitoring chain is a stable stereo image. Check frequency range (woofer diameter & cabinet volume), connectivity (XLR/TRS/RCA) and room-adaptation options (EQ switches, bass trim) to avoid excessive low-end.
For bass-heavy genres (electronic, hip-hop, DJ mixes) a subwoofer pays off. It also extends small nearfields. Key points: match size & level to the room and set crossover/time alignment correctly.
Don’t cut corners here. Use high-quality, neutral cables (balanced where possible) and plan your wiring. Monitor stands with height adjustment put tweeters at ear level. Avoid placing speakers close to walls or corners.
Every room colours the sound. With measurement tools you can reveal issues; room-correction software helps “straighten” the response. Example: an overhyped bass region can often be compensated without construction work.
Studio monitors play back neutrally so your mix decisions translate — unlike hi-fi speakers voiced for enjoyment.
Hi-fi emphasises “pleasant”. For mixing you need honesty: linear monitors reveal strengths and weaknesses without sugar-coating.
All frequencies at roughly the same level — no artificially loud bass or treble. Nothing is perfectly linear, but good monitors get close.
Tip: Bigger isn’t automatically better — especially in untreated rooms.
Prefer balanced (XLR/TRS) — more immune to noise, especially over distance. Use RCA only for short, clean runs.
Neutral cables; stands for ear-height; isolation to tame resonances; correct placement (distance from walls).
For bass-focused styles or small nearfields. Set crossover, level and timing correctly — and match it to the room.
Usually yes: better converters, balanced outputs, precise volume control — far superior to a computer’s headphone jack.
Form an isosceles triangle with the listening position; tweeters at ear height; minimise early reflections; keep distance from walls.
It identifies peaks/resonances and compensates them via measurement + software — often without any building work.
